Eat, Drink, Animate! By Tom Sito

Who knew animators could cook? Tom Sito, USC animation professor, co-director of Osmosis Jones and Emeritus President of the Animation Guild, has written a cookbook celebrating the recipes of animation artists.

You might think animators can't cook, but you'd be wrong. "Eat Drink Animate" is where you can learn the secrets of Walt Disney's chilli and and Tissa David's Hungarian Goulash.

I should declare an interest here - the book includes one of favourite recipes, Poisson a la BAFTA, which was reverse-engineered a few years ago from a dish I liked so much while dining at BAFTA Piccadilly that I decided to try and make it myself. I wrote it in French to make it sound posh.

Tom is a prodigious author, with many books on animation and animation history to his name.

"Fossils" Lunch in Toluca Lake

From left: Charles Solomon, Bob Kurtz, Scott Johnson, Howard Green,  Eric Goldberg, Tom Sito,
Alex Williams, Ruben Aquino and Ross Blucher.  Photo copyright the nice waitress at "The Counter".

Animation historian and critic Charles Solomon organised a "Fossils" lunch today, a meeting of various former (and current) Disney and DreamWorks animators to talk about the olden days, and wonder what the heck happened to our industry.  Little did I know that Eric Goldberg, master of 2D animation timing is still doing hand-drawn animation at Disney, working on special projects for the Parks.  Bob Kurtz is still doing freelance jobs,  James Baxter is still flying the flag for 2D animation, and animator-turned academic Tom Sito trains his students at USC in the correct use of exposure sheets. And I still use Ruben's model sheets from "Lion King" to teach quadruped locomotion to my students.

Who says 2D animation is dead?

---Alex

Tom Sito Reviews Richard Williams' "Prologue"

A still image from "Prologue"

Animation director Richard Williams recently completed his long-anticipated short film Prologue, premiered at Annecy this past June and recently released in selected theatres in Los Angeles.  Tom Sito, Animator, Director, Historian and President Emeritus of the Animation Guild, wrote us a review of the film.  As a far as we can tell - this is the first review of "Prologue".

Support Fellow Artists - Give their Work as Gifts

It's that time again, when media whips people into a shopping frenzy, then sits back and laughs as gift buying turns into a bloodsport.  Ha ha, suckers!  Once again, FLIP offers our readers a creative alternative.  Over the course of the past year, there have been many artists featured whose work is available for sale.  We present those items here for your convenient shopping.

Support animation artists, and get something unique for your loved ones!

First up, Richard Williams' classic book The Animator's Survival Kit is now available for the iPad.  FLIP wrote about it back in February.  Get yours here!

Dumpster Diving with Bill Kroyer

Whenever I run into Bill Kroyer, our dumpster diving story inevitably surfaces.

In the summer of 1984, I was working one of my first animation jobs, on an animated Star Wars knockoff called Starchaser: The Legend of Orin, a forgettable film except that it used a lot of early computer generated animation.    Most of the production was done at Steve Hahn's Korean studio, Mihahn, but when they also had a  crew of Americans working in an office complex in Woodland Hills, California.  Bill Kroyer was the head of that crew, which included Chris Bailey, Craig Clarke, Darrell Rooney, Tom Sito, newbies Greg Manwaring and Eric Pighors, and old timer John Sparey.  I learned years later that the writer, Jeffrey Scott, is the grandson of Moe Howard of The Three Stooges.   

Lou Scheimer, Gone to the Green and Purple Valley

Lou Scheimer, co-founder of Filmation Studios, died Thursday at the age of 85.  His studio made an awful lot of awful TV, but the man himself was highly respected in the industry in the 1970's and '80's for bucking the trend and not shipping production work overseas.  He kept hundreds of artists employed for many years, in union jobs, in his cartoon factory.

The Richard Williams Tribute at the Motion Picture Academy - Tom Sito reports

Richard Williams, Eric Goldberg and a Rabbit

Last night the Academy of Motion Picture Arts and Sciences paid tribute to animator, artist and director Richard Williams. For the benefit of everyone who couldn't be in LA or weren't lucky enough to get tickets, Tom Sito brings us the story and the pictures.

A Tom Sito sighting in NYC - Monday, September 16 at 7:00pm

Tom Sito's latest book

On Monday, September 16 at 7:00pm Tom Sito, author of Moving Innovation: The History of Computer Animation (and friend of FLIP), will be at the SVA Theatre, 333 West 23rd Street, NYC.

Tom will be "telling stories, spinning yarns about CGI and signing a book or two". He also adds that "some NY CG legends have promised to come too" - although their identities remain undisclosed. The evening is free and open to anyone to attend.

Remembering EPCOT's Cranium Command - Both Versions

There are some great posts on The Disney Project blog about Jerry Rees'  work for Disney Imagineering, including EPCOT's Cranium Command, where you go inside the mind of a boy as he goes about his school day in real time.  An animatronic figure interacts with characters representing different parts of the body, which constantly react to what is being seen through the boy's eyes.  It was an extremely complex show, logistically.

Like many of Jerry's jobs for Imagineering, Cranium Command was a rescue mission.  As The Disney Project blog puts it, "The project, already halfway through production at Colossal Pictures, was unanimously loathed by everyone at Disney. Jerry was tasked with reviewing the project, assessing its weaknesses, and fixing them."

I, personally, have the unique distinction of being the only animator to have worked on both versions of this show.  In January of 1989, Colossal Pictures producer Heather Selick hired Vince Davis and me as sort of animators-in-residence at their San Francisco studio.  She put us up in apartments on Union St in North Beach, just below the Coit Tower and just two uphill blocks from an area full of blues bars, cafes, Italian restaurants, City Lights Bookstore, and  really old strip clubs with creepy guys in big suits trying to get passersby to go in.  Far out!

Roger Rabbit Reunion Party - Friday August 16th

Calling all Roger Rabbit alumni - on Friday August 16th Tom Sito, Don Hahn, and Max Howard are hosting a Roger Rabbit reunion party at the King's Head Pub at 12969 Ventura Blvd, in Sherman Oaks. So if you fancy reminiscing about the good old days of hand-drawn animation then grab your Rabbit memorabilia and head for Sherman Oaks on Friday.

The bulk of the animation of the original Who Framed Roger Rabbit? was made in Camden Town in London. On Friday nights almost everyone on the crew would head down to the local pubs for an evening of drinking, often followed by a trip to a local club. The Electric Ballroom was a bit of a favourite.

After the film ended in the Spring of 1988, many of the crew found themselves in Los Angeles, where Dave Spafford continued the friday night drinking tradition by turning his house in a very passable imitation of an English pub, complete with bar, darts board and pinball machines (well, maybe that last bit wasn't so authentic).

For years, any animation Brit or Rabbit veteran who found himself at a loose end in LA would head for Spaff's on a Friday night. I went myself a few times, though the last time I went I remember I didn't recognise anyone there. Dave closed it down soon after - it had had its day. But only after a long, excellent run.

Me in 1987, with Caron Creed

Anyway, head down memory lane this Friday and hang out with your Rabbit kumrads and muse over the perennial unanswered (and apparently unanswerable) question -

Why has no-one ever made a sequel?

---Alex

http://yeoldekingshead.com/

What is an Ideal Work Space?

On today's CBS Sunday Morning, Richard Schlesinger did a segment on the Herman Miller Company, where the office cubicle was created decades ago. Today, they're at it again, with a new design for the workspace; a large open space with no division among the ranks.

This may be a swell idea in certain companies, where constant communication among workers is more productive.  But what about in, say, an animation studio, a place where films are made one frame at a time by a crew of artists while another crew of non-artists concurrently keeps track of schedules, budgets, and work flow? How does that big open space work there?  FLIP asked some veteran animation folks about their ideal work environment.

Leticia Lichtwardt's work space.  Some TCM for the thick and thin.

Tom Sito's Book on the History of Computer Animation on Sale!

Back in March, FLIP posted an interview with Tom Sito about his forthcoming Moving Innovation: A History of Computer Animation.  By the looks of our stats, there's a ton of interest surrounding Sito's book.  Well now you can own your very own copy.  Click here to order.

This Wednesday, April 24, from 11:30-1:30 Tom will be signing copies in the USC Cinema School Courtyard. Books will be on hand for sale too.  So if you're in the Los Angeles area, head over on your lunch break.  Tell Tom FLIP sent you.

-Steve

ToonTown Reunion - 25 Years after The Rabbit

See how many Toon Town graduates you can spot in this Roger Rabbit re-union photo just posted on Facebook by Producer Max Howard (5th from left on the back row). I can see Tom Sito on the left, as well as Producer Don Hahn, and master animator Andreas Deja in the back, among many other familiar faces and old friends. And I think I see director Bob Zemeckis standing next to Nik Ranieri, fourth from right in the back row.

Tom Sito's History of Computer Animation

Ivan Sutherland demonstrates Sketchpad, 1963.

Being of a generation for which computers represented the future, it is a bit unsettling that a book on the history of computer animation could be written. Like I need another reminder of my aging. Tom Sito has done it, with Moving Innovation, A History of Computer Animation, to be released next month. FLIP asked Tom a few questions, via computer......

FLIP: What the hell does Tom Sito know about Computer Animation?

TS: Hah! You’re right. My name is not the first to come to mind when you think CG. When I was completing Drawing the Line, I included a chapter on the Digital Revolution. I needed to explain about CG’s origins to show how it affected the animation community and how it changed the traditional animation production pipeline, which had been sacred since J.R. Bray in 1913. The chapter grew so large that my editor cut it by two-thirds, and told me “ You have another book here.”

Chicken Fat at the Society of Illustrators

Even Harvey Kurtzman's signature is funny.

I don't live in New York, but I just happened to be there when the Society of Illustrators on 63rd Street opened its new exhibit, The Art of Harvey Kurtzman.  I have been a fan of Kurtzman since I was a pre-teen and discovered Mad comics through reproduced inserts in Mad magazine's "Super Special" issues. Even as a kid, I noticed there was something about those old comics that was lacking in the Mad magazine  of 1974.  I didn't know it then, but the missing piece was Harvey Kurtzman.  

Mr. Magoo Shorts Screening Almost in Sight

One of the truly great things about Los Angeles is the unique film screenings geared toward industry people.  On Saturday, September 15, Animazing Spotlight will host a tribute to U.P.A. Studios at the Alex Theater in Glendale.

From 3 to 5 PM, Tom Sito will host the panel of Bob Kurtz, John Andrews, and Fred Crippen as they discuss U.P.A.'s influence with clips from various shorts.  Tom told FLIP,  "Friz Freleng once said, 'When I die, I don't want to go to Heaven. I want to go to UPA.' Join us as we hear about why this studio had such a big impact on the art of animation in the mid-twentieth century."

At 7:00, twenty U.P.A. shorts will be screened on the big screen, with fresh, restored prints.  Along with five Mr. Magoo's, will be all fifteen Oscar nominated shorts.  Here's a complete list:  

Robin Hoodlum, 1949

Ragtime Bear, 1949

Magic Fluke, 1950

Barefaced Flatfoot, 1951

Fuddy Duddy Buddy, 1951

Trouble Indemnity, 1951

Gerald McBoing-Boing, 1951

Hotsy Footsy, 1952

Rooty Toot Toot, 1952

Man Alive, 1952

Madeline, 1953

Pink and Blue Blues, 1953

Christopher Crumpet, 1954

The Tell Tale Heart, 1954

Magoo's Express, 1955

When Magoo Flew, 1955

Magoo's Puddle Jumper, 1957

Jaywalker, 1957

McBoing on Planet Moo, 1957

Trees & Jamaica Daddy, 1958

Check their website for tickets, http://www.animazspot.com 
Sounds like a fun Saturday night to me!
-Steve