Showing posts with label Brian McEntee. Show all posts
Showing posts with label Brian McEntee. Show all posts

Saturday, November 9, 2013

My Most Influential Contemporaries



I have posted before about artistic influences, artists who I did not work with personally, but had a strong influence on my own work.  This time, I write about artists of my generation. In the past 30 years, I have worked with hundreds of artists, and many have influenced me in some manner.  Here is a list of five artists who, for me, had the greatest impact, in chronological order.  

1.  Dan Jeup – Dan was my roommate during my freshman year of CalArts, in 1981.  I knew next to nothing about Disney animation, though Dan was already animating at a professional level, and was an encyclopedia of Disney animation knowledge.  His passion for the medium was contagious, and I felt lucky to be asked along when he studied Disney film prints in the school library, pointing out different animation techniques.  Dan taught me about editing and match cuts and animating a character with weight.   And I taught him how to drink a lot of beer.

Monday, May 20, 2013

More on The Ideal Workspace


Yesterday's post on studio space seemed to resonate with readers.  FLIP heard from a couple of art department veterans.  

Fred Cline's credits include The Little Mermaid, Bebe's Kids. Space Jam, and Robot Chicken.  Fred told FLIP:

"For me, there is a distraction issue any time there is shared space, and there is an isolation issue every time there is individual space. As for me, if I am storyboarding, I like to share space because it's easy to get a sort of tunnel vision where you are focusing on your own section of the film and not considering the whole picture. Sharing space as a storyboard artist gives a constant reminder of progress on other sections of the film. If I am designing or doing art direction, I need lack of distraction (or isolation) in order to accomplish the most in a limited amount of time. Apart from that, all I really need is an ergonomic chair, and a cintiq. I've found that a central seating area with coffee table and sofa/upholstered chair seating group adds to the collaborative process."

Friday, March 22, 2013

Fans Gone Wild: The Brave Little Toaster

Fan art.  Just saying it brings a bemused smile to the face of animation artists.  Seeing a fan art version of something you worked on is an honor; the naive quality and the unabashed love behind it make it so. And sometimes what makes fan art special is the creativity of it.  Enter Ian Knau.

Ian is 22 and a lifelong fan of  The Brave Little Toaster.   The climactic sequence of the film involves a metal compactor - imagine the climactic scene in Toy Story 3 only twenty years earlier.  The Toaster sacrifices herself (yes, herself) to save The Master from being smooshed.   The metal crunchng machine made a deep impression on young Ian that has carried into his adulthood.

Friday, February 1, 2013

Going Vegan Let Me Sit Indian Style Again


By Brian McEntee

Brian McEntee is the production designer for Ice Age and Cat's Don't Dance, and art director for Beauty and the Beast and The Brave Little Toaster.  

Back in January of last year I adopted a Vegan diet. It wasn't for any philosophical reason, like saving the planet or the animals on it, but purely a selfish one; more or less, "Save the Brian." My family is genetically prone to heart disease, high cholesterol, high blood pressure, and... bypass surgeries. Having seen my father get a triple at age 55, I vowed then and there (in my late teens) that I would watch both my weight and diet, exercise regularly, and keep track of my health factors on a yearly basis. This worked well into my late 40's, but then my cholesterol began to creep up.  I didn't want a bypass, angioplasties, nitro pills, or to, as my father put it, “Join the zipper club”.  It seemed my only option was to take statins. So I did.

My cholesterol went down to around 150––excellent, chemically speaking, but I felt horrible. The statins made my muscles ache constantly and weakened them, so when I continued my usual exercise routine I began injuring myself. So I had to ease up on my workouts, causing me to gain weight. My doctor tried various types and brands of statins, hoping to find one with minimal side-effects, but the search was unsuccessful. 

So, what was I to do?  

Monday, January 28, 2013

Toaster Tales #2: A Letter to Mom and Chinese New Year

Toaster Crew in Taipei, 1986.  From left: Joe Ranft, Sanvy from Cuckoo's Nest, Steve Moore, Randy Cartwright, Brian McEntee, Jerry Rees, Chuck Richardson.    Photo by Rebecca Rees 
In January of 1986,  eleven Americans travelled to Taiwan to work on The Brave Little Toaster.  There was Jerry and Rebecca Rees, Chuck Richardson, Brian McEntee, Kevin Lima, Tanya Wilson, Chris Wahl, Ann Telnaes, Randy Cartwright, Joe Ranft, and 23 year-old me.  The studio was called Cuckoo's Nest, a cartoon factory which had been churning out miles of Saturday morning cartoons for Hanna-Barbera and Ruby-Spears.  The studio's owner, James Wang, paid to bring out about half of the American crew to shore up his talent pool.  Toaster raised the bar for his studio in every capacity.  Just compare Cuckoo's Nest productions such as The Smurfs to Toaster to get an idea of how far they were pushed.

 I recently found a letter I wrote to my parents from Taiwan, which unearthed some forgotten memories. So if you ever wondered what it was like to make a great American cartoon in the land of Chiang Kai-shek, read on!

Sunday, November 25, 2012

Some Unique Gifts to Fight Over

In the United States, unless your TV has been broken, your newspaper shut down, and your internet connection failed, you know all about "Black Friday".  This term is not in reference to post-Thanksgiving bowel movements.  This is the day, the awful day, when media advertisers rile people into such a frenzy as to act out as a mob of deal-hunting vigilantes.

So what's a mild mannered, somewhat sane, hunched and goofy person to do?  Well, let FLIP rile you  into a geek frenzy with some cool, unique gifts from people who have been featured in this year's FLIP!

Ready?

Sunday, November 4, 2012

Enough of the Blade Runner Future Already!

by Aurelio O'Brien


Maybe it’s because I grew up in the 1950-60’s. I was 11 years old when Neil Armstrong walked on the moon. I rode GE’s “Carousel of Progress” and Monsanto’s “Adventures through Inner Space” in Disneyland, humming along with it’s theme songs, “There’s a Great Big Beautiful Tomorrow” and “Miracles through Molecules.” The view of my future back then was bright and rosy, with the promise of abundant clean energy, candy-colored plastic everything, marvelous, genetically-enhanced foods, and the best thing of all, personal hovercrafts.
The future yesterday.


Thursday, August 30, 2012

Brian & Chuck


Brian McEntee was production designer on Ice Age, and Cats Don't Dance, and art director on Beauty and the Beast and The Brave Little Toaster.  Besides being a super talent, he is also a super guy. Here, he shares his thoughts on sharing 30 years with his domestic partner, Chuck Richardson

by Brian McEntee
Chuck and I are celebrating our 30th anniversary today, although we’ve been legally married in the State of California for only 4 years (As Chuck puts it, “It was a very long engagement.”). Emily Post doesn’t list any special type of gift to give for the 30th anniversary, so I came up with my own gift that all of you can give us: support for our federally recognized marriage rights.

Marriage equality is precisely meant for people like the two of us. Opponents like to point to promiscuous gays among us and claim all gays will denigrate the institution of marriage for straights. But marriage is not for promiscuous people, gay or straight. It is for two people who have made a commitment to each other. And promiscuous straight people can already get married, so I don’t see the logic in this argument.

The truth is, Chuck and I are our own little family of two. My parents are both gone, and my siblings all live far away. Chuck’s mom is still alive and he has siblings too, but none live close by either. We are the only immediate family each of us can rely on. With this in mind, imagine having your own significant other suffer a medical emergency and not be able to make medical decisions for him or her, or even have hospital visitation rights. Or, imagine having one or the other of you die and, after 30 years of building a life together, having a relative of your spouse have the legal right to all their possessions and you have none. This is what gay couples face in states that do not recognize gay marriage and why federally legalizing gay marriage is vitally important.  And even though we are legally married in CA, if we have an emergency situation while traveling in another state that does not recognize our marriage, nothing requires them to recognize our married status--thus the need to federalize these rights.

Even if you have misgivings about gay marriage on your own personal moral or religious grounds--and that’s your right--you should support legalizing secular gay marriage. We support your right to live out your beliefs. And those who believe gay marriage is wrong should never, ever get gay married. But, just as we allow you the unencumbered practice of your beliefs, we should be allowed ours, and be allowed the same freedom to live them out too. If what Chuck and I share is sinful in your God’s eyes, isn’t that our business? Shouldn’t that be between your God and us? Doesn’t your God allow free will as a part of the process of your faith?

Marriage equality is not a religious argument anyway. It is a political straw dog. Many Christian denominations and other religious faiths marry gay couples already--they are well ahead of the federal and state governments on this. Each church and religious group is free to make their own choice about who they marry, and that will not change with legal recognition. (For example, the Catholic Church will only marry Catholics to other Catholics.) But secular marriage is where all the legal rights sit--this is the arena necessitating a change to include gay couples.

Those who know Chuck and me personally know how well our relationship works. My life has been enriched and has flourished by his being in it and I cannot imagine life without him. The stability and mutual support of our relationship has also allowed us to be of help to aging and dying parents, siblings in need of a hand, and our friends and neighbors.

Please help make this our best anniversary ever by making your support for gay marriage known through your votes and publicly expressed opinion. Feel free to share my post with your Facebook friends and progress the conversation. Thank you.

Sunday, January 29, 2012

Jerry Rees' Home Movies of Ward Kimball

Back in the day, Rebecca and I were delighted to receive an invitation to attend a gathering at Ward Kimball's house.  Kelly Kimball was there of course.  Brian McEntee and Chuck Richardson were there.  Ward and his crew fired up full size steam engines and gave visitors rides back and forth across his property.  What a blast!  And what a shock it must have been for people passing on the neighborhood street, seeing steam engines racing toward the fence, then slowing at the last moment and edging up to the bumpers at the end of the tracks.  Most of the day was spent chatting, eating and riding the trains.  But Ward saw several of us peeking at the building where he kept his vast collection of miniature trains.  He let us in and asked "you want somethin' to run?"



He fired up several trains at once and got everything chugging.  You could tell he was having a blast!  Boy did his eyes twinkle...

Later that day he wanted to see the tapes I'd been recording.  He said he liked the footage better than the stuff a news crew had staged and shot earlier.  He found it more candid and fun.

That VHS tape has been sitting on a shelf for a whole lot of years.  After intending to digitize it for a long, long time, I finally gave it a shot.  Some of it is still in decent shape.  But there are segments lost to tape degeneration.  I could kick myself for not doing it sooner!  But over the next few weeks I plan to go back and salvage as many scenes as possible - both the big trains, and the miniatures - and post it all on my site.



The piece I shared today was just the first test (before the digitizer broke!).  I've ordered a new one and will be back at it in a few days.

Hope it made you smile!