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| Luc's pool party. It has animation too. |
Saturday, October 12, 2013
Luc Chamberland's Pool Party - you're invited!
Thursday, October 10, 2013
Disney closes Pixar Canada
In a blow to Canadian animation, Disney has decided to close their Pixar Studios in Canada. According to Variety, Disney spokesperson Barb Matheson said “A decision was made to refocus operations and resources under the one roof...not great news, obviously.” It is, of course, a tragedy for everyone working at Disney in Vancouver. But to the grizzled animation veterans at FLIP, this all feels eerily familar.
Tuesday, October 8, 2013
Happy Birthday Art Babbitt (October 8, 1907- March 4, 1992)
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| Art Babbitt at Soho Square in the 1970s. Art is 3rd from the right, flanked by Grim Natwick to his left and Richard Purdum to his right |
Saturday, October 5, 2013
The Richard Williams Tribute at the Motion Picture Academy - Tom Sito reports
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| Richard Williams, Eric Goldberg and a Rabbit |
Friday, October 4, 2013
NBC Blew it with "The Michael J. Fox Show"
Watching Michael J. struggling to hold it together while spitting out trite punchlines is too painful to watch. He is trying his best, but let's face it - his situation is not funny. I kept thinking, "Why is he doing this?"
Thursday, October 3, 2013
Alex Marks 20 years of Queen's Counsel with a New Book
FLIP's own Alex Williams has reached a milestone. His comic strip Queen's Counsel started its run in The Times of London twenty years ago today. After much arm-twisting, the other half of FLIP consented to an interview on the subject.
FLIP: You have been doing Queen's Counsel for 20 years. Does this milestone make you feel old? Proud? Tired?
Alex: All of the above. But, mainly, astonished. Whenever I open the paper I can't quite believe the cartoon strip is still there. I don’t even have a contract with the newspaper – but it’s been my longest job ever, by far. So, better add gratitude to that list.
Wednesday, October 2, 2013
Tony Siruno goes ape at the Qpop gallery in LA
Tony Siruno is one of our industry's leading character designers. For many years he worked for DreamWorks, helping to design many of their best-loved and most successful characters. Recently he has moved to Sony to head up their character design department. Tony has just contributed some artwork to an exhibition at the Qpop gallery in Los Angeles. FLIP asked him to tell us what this new exhibition is all about.
Tuesday, October 1, 2013
Frans Vischer "Fuddles" Again
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| Frans Vischer's self=caricature. |
FLIP: You were part of the big Disney animation layoff back in April. How have things gone since then?
Frans: I’m doing pretty well. I do miss the studio and the people there, but my immediate reaction was to take this as an opportunity. My second Fuddles book was long finished and awaiting publication, so here was a chance to focus on kids books. I’ve been splitting time between my book work and free-lance animation and illustration, whatever pays the bills. I’ve been working steadily for Renegade Animation, Darrell Van Citters’ company, doing digital illustrations for Scholastic, and I have about a dozen picture book ideas in various states that I’m playing with.
Sunday, September 29, 2013
Those Unrealized Influences
Saturday, September 28, 2013
Mickey Mouse stars in Escape From Tomorrow - but Disney is not pleased...
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| Mickey - as you have never seen him before. |
Thursday, September 26, 2013
Withoutabox.com - For Your Festival Submission Sanity
Did I mention my new short Chief, Your Butt's on Fire this week? We're in festival submission mode around here, and just as film has gone digital, so has the submission process. Thankfully, my wife discovered withoutabox.com.
This is going to sound like a big freaking commercial, but if you are an indie filmmaker, this could really help you. On the Withoutabox site, you fill out a form about your film, then upload a web-quality Quicktime file. When you find a festival you like, you click "qualify" and see if your form jives with that festival's submission form. You make whatever adjustments you need to make, then click "submit" and it's done. No making umpteen copies of your film, no writing umpteen descriptions of you film.
Done!
This is going to sound like a big freaking commercial, but if you are an indie filmmaker, this could really help you. On the Withoutabox site, you fill out a form about your film, then upload a web-quality Quicktime file. When you find a festival you like, you click "qualify" and see if your form jives with that festival's submission form. You make whatever adjustments you need to make, then click "submit" and it's done. No making umpteen copies of your film, no writing umpteen descriptions of you film.
Done!
Tuesday, September 24, 2013
Kit and Gerry Laybourne's Groovy Pad
I was looking through the latest issue of the magazine Dwell: At Home in the Modern World checking out some of the ultra hip homes. I started reading the cover story about a modern apartment in the Chelsea district. It's owners are Kit and Geraldine Laybourne.
Wha?
Kit Laybourne, author of The Animation Book, the book I devoured as a teenager, the book which fueled my desire to become an animator, and his wife Gerry, the brilliant executive (seriously) who put Nickelodeon on the map, have a place so stylish, it made the cover of a magazine dedicated to modern style.
Wha?
Kit Laybourne, author of The Animation Book, the book I devoured as a teenager, the book which fueled my desire to become an animator, and his wife Gerry, the brilliant executive (seriously) who put Nickelodeon on the map, have a place so stylish, it made the cover of a magazine dedicated to modern style.
Sunday, September 22, 2013
What Is Wrong With The Global Development Organisation?
What Is Wrong With The Global Development Organisation? is a short film project executed by a group of my students, mostly at Bucks New University (my day job), but also including talent from my online school, www.animationapprentice.org.
The film was a private commission from an individual who experiences day to day the problems set out in the film, and who wanted to find a way of expressing those problems in a way that would be fun and entertaining - but with a serious message. She wants to remain anonymous because, as she put it, "if you win an Oscar I will get fired".
Friday, September 20, 2013
Rob 'n' Ron - an excellent short film from Denmark
Tumblehead Animation is one of a number of small studios that have grown up around the hub of the excellent Animation Workshop in Viborg, Denmark. Founded by Magnus Moller and Peter Smith, Tumblehead have completed a series of stylishly designed and superbly executed short film projects, proving that when it comes to animation production, small can be beautiful. Below is their latest short film: Rob 'n' Ron, just completed.
Rob 'n' Ron from Tumblehead on Vimeo.
(Editor's Note: for more about Tumblehead animation, read our interview with studio co-founder Magnus Moller, and check out their excellent short film The Story of Animation, a clever and funny explanation of the animation process from concept to completion.
---Alex
Rob 'n' Ron from Tumblehead on Vimeo.
(Editor's Note: for more about Tumblehead animation, read our interview with studio co-founder Magnus Moller, and check out their excellent short film The Story of Animation, a clever and funny explanation of the animation process from concept to completion.
---Alex
Wednesday, September 18, 2013
Brenda Chapman Speaks at the United Nations
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| Brenda Chapman....she who laughs last.... |
Brenda took some time out after the event to tell FLIP about it.
Remembering Roy Disney - Dave Bossert talks about his just-published biography
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Tuesday, September 17, 2013
The Best Fast Food Ad Ever
It's being called the best fast food advert ever made. Chipotle have made a sweet, funny and charming ad for their product - without ever mentioning the product itself. Instead they have commissioned an adorable short film in praise of sustainable farming.
Enjoy!
---Alex
Enjoy!
---Alex
Friday, September 13, 2013
The Return of Jamie Baker
Thursday, September 12, 2013
"Into The Animation Factory" needs your help!
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| Into the Animation Factory - Dave Tart's new film |
Tuesday, September 10, 2013
A Tom Sito sighting in NYC - Monday, September 16 at 7:00pm
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| Tom Sito's latest book |
Tom will be "telling stories, spinning yarns about CGI and signing a book or two". He also adds that "some NY CG legends have promised to come too" - although their identities remain undisclosed. The evening is free and open to anyone to attend.
Monday, September 9, 2013
An Artist in the Producer's Chair ....Wha?
Shannon Shea has made his career of the past thirty years doing make-up effects on films such as Predator, Terminator 2 , Jurassic Park, Drag Me to Hell, and Men in Black 3. He has had plenty of experience in dealing with producers, and now he steps into their shoes with the film Scream at the Devil. He talked to FLIP about his experience in the producer's chair.
FLIP: What made you want to take the leap into producing?
Shannon: Actually, it was kind of a mistake. In an effort to save my dwindling health care through Screen Actor's Guild, I decided I would start auditioning for acting roles (my primary performance through SAG was puppeteering). So, I received a notice for a film that was shooting in Los Angeles, I met with the director and, as most people do in tinsel town these days, he "IMDB'ed" me. When he saw my credits he asked if I would come on board as a VFX supervisor rather than an actor (promising me more money than if I acted for a day or two). I liked him and agreed under one condition: I would be a VFX PRODUCER, not supervisor.
Shannon: Actually, it was kind of a mistake. In an effort to save my dwindling health care through Screen Actor's Guild, I decided I would start auditioning for acting roles (my primary performance through SAG was puppeteering). So, I received a notice for a film that was shooting in Los Angeles, I met with the director and, as most people do in tinsel town these days, he "IMDB'ed" me. When he saw my credits he asked if I would come on board as a VFX supervisor rather than an actor (promising me more money than if I acted for a day or two). I liked him and agreed under one condition: I would be a VFX PRODUCER, not supervisor.
Sunday, September 8, 2013
Endtrip from Holland
Endtrip is the work three graduate students from University of the Arts Utrecht (HKU), Koen de Mol, Olivier Ballast, and Rick Franssen. It is freaking amazing.
The flimmakers describe Endtrip as "an animated short film in which we experience a breathtaking trip through the bizarre and fantastical unconsciousness of a drug overdosed girl. This visually stunning journey offers a stereoscopic 3D glimpse into the extraordinary and strange workings of the mind. Reality and fantasy become intertwined into a dream where nothing is as it seems and we can only expect the unexpected."
Saturday, September 7, 2013
Animation Apprentice - Under Attack!
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| There be monsters |
Tuesday, September 3, 2013
Mr. Future, At Last We Meet
I told you about my new short, Chief Your Butt's on Fire last week, and how it took thirteen years to complete. My last shorts, The Indescribable Nth and Fractured Fairy Tales: The Phox, the Box and the Lox, were both completed in 1999 - that's right, the 20th century.
Here we are in the second decade of the 21st century, the year to which Marty McFly time travels in Back to the Future, and don't you know - it really IS the future. When my wife looked into film festival submissions, film was not an option for many of them. They wanted something called a DCP - Digital Cinema Package. Why? BECAUSE IT"S THE FUTURE!
Here we are in the second decade of the 21st century, the year to which Marty McFly time travels in Back to the Future, and don't you know - it really IS the future. When my wife looked into film festival submissions, film was not an option for many of them. They wanted something called a DCP - Digital Cinema Package. Why? BECAUSE IT"S THE FUTURE!
| My new "film". |
Sunday, September 1, 2013
Bill Mumy, Jeff Etter, and Thrill-O-Rama
After years of working in animation, Kevin Davis opted to go to film school at UCLA. He tells FLIP about how he came to create videos with the unlikely pairing of Bill Mumy - yes THAT Bill Mumy - and one of the most outrageously funny animators you will meet, Jeff Etter.
by Kevin Davis
Thrill-o-rama Films all started when I was attempting to complete my UCLA thesis film, Of Robots and Rednecks. I was inspired by Professor Bill Barminski's After Effects class. He had just completed a set of very creative music videos for Death Cab for Cutie, and I was impressed with what you could devise and complete with a very small production crew and an even smaller budget. In After Effects you could pull off an infinite variety of funky camera moves and effects that, back in the MTV heyday of 80's music videos, would have been next to impossible to pull off.
At about the same time, Actor / Musician Bill Mumy had seen an Of Robot and Rednecks preview on YouTube, and liked it. He later told me to that it was, "Twilight Zoney", which made my day. He then asked me if I would like to do a music video for his upcoming CD, Until the Big Bang Whimpers. His timing couldn't be more horrible, due to my deadline for my thesis film, but I couldn't turn down a chance to work with one of my childhood heros.
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