Bean Bonkers and Life as a Human Resource

Every business has its bean counters.  In the bean business, they have them in spades.  A team of bean counters determines exactly how many beans to place each can to yield the maximum profit for the company.  If a worker at the cannery should strive to create a better can of beans by adding more beans or being more selective of the beans to be canned, that employee would, after a few formal warnings, be canned themselves.

Beans are not art.  Art is not beans.  But sometime way back, the two were crossbred to create an abominable freak worthy of Dr. Moreau; the animation production.  In this business, there are people who try to create art and people who try to count beans.  Together, they fail miserably in their individual tasks, but produce a bi-product called the animated cartoon; neither art nor beans.

Independent Producer Max Howard reveals the secrets of producing independent animated films

Max Howard

Animation producer Max Howard began his career in animation working on "Who Framed Roger Rabbit?", after which he joined Disney in Florida to set up their fledging Orlando studio. Since then he has worked for many of the biggest animation studios, and for the past decade has forged a career as an independent producer, as well as consulting for the animation industry and giving lectures and workshops all around the world. FLIP asked him to talk about what it takes to produce an independent animated film.

Tax Breaks for UK Animation

Wallace and Gromit would be proud. Copyright Aardman Animation

Chancellor George Osbourne's budget speech yesterday may not have inspired many to believe in Britain's general economic recovery, but it surely gladdened the hearts of animators across the land that his government is committed to some serious tax breaks for the animation and visual effects industry in the UK.

From DreamWorks to Greece and back again - Nassos Vakalis tells the story of an animation startup

Who wants to live in Greece?

Nassos Vakalis is an animator, director and storyboard artist who has had a long and varied career in the animation industry at studios such as Warner Bros Feature Animation and DreamWorks.

In 2001 Nassos left DreamWorks to set up his own company, TimeLapse Pictures, in his home town of Athens. He is now back at DreamWorks, most recently storyboarding on Puss in Boots and Madagascar 3. FLIP asked him what it was like running an independent studio.

What Does a Visual Effects Producer Do, Exactly?

Martin Gabriel is a visual effects producer with a long list of successful feature films on his resume, including Harry Potter and the Goblet of Fire,  X-Men, The last Stand, and Lara Croft: Tomb Raider. He also worked on the TV series Band of Brothers and The Prisoner.

Following the collapse of Oscar-winning facility Rhythm and Hues, FLIP asked Martin to talk about what, exactly, a visual effects producer does, and how a vfx film gets put together. In short - how does the industry really work?

An Interview with animation producer Don Hahn

Don Hahn is an animated film Producer whose credits are almost a roll-call of the Second Golden Age of Animation. His films include Who Framed Roger Rabbit?, Beauty and The Beast, and The Lion King. He is currently producing the much-anticipated Maleficent, due out in 2014.

He has also published many books on animation, the most recent being The Alchemy of Animation, and he also found time to direct Waking Sleeping Beauty, a documentary about Disney and the creative process. FLIP asked Don to reveal the secret of juggling so many interesting and varied projects.

Zahra Dowlatabadi explains the secrets of Producing Animation

Zahra Dowlatabadi is an animation producer who literally wrote the book - "Producing animation" - co-authored with Catherine Winder and edited by Tracey Miller-Zarneke. We asked Zahra a few questions about her book and her animation projects.