From Rabbits to Robots - Matt Novak Introduces his latest book

I first met Matt Novak working at the Disney Florida animation studio, known back in the late 1980s as the Disney MGM Studios. We were both working on Rollercoaster Rabbit, and we were part of the Magic of Disney Animation ride, called by everyone who worked in it (safely out of earshot of anyone important) as The Goldfish Bowl, a walk-through animation installation where the public could witness actual animated films being made.

For me, just 19 years old and still studying at University, it was a paradise, an absurdly lucky break into one of the top studios in the animation business. I was there in the summer of 1989, and Matt had already started a career as an illustrator, having published his first book Rolling back in 1986.

We got on famously, joining in obligatory trips to the local karaoke lounge, and even making it down to the Florida Keys, before my golden summer at Disney finally ended and I returned to England to continue my studies. Matt stayed on, but eventually left Disney to become a full-time writer and illustrator. Now, with around 20 books to his name, Matt has just published his latest book: Little Robot.

A Lazy Elf for Christmas

Thomas Bo Huusmann is a graduate of the excellent Animation Workshop in Denmark, surely one of the very best places to study animation in Europe. The school encourages its students not just to find work as employees in animation companies, but to be entrepreneurs, starting up small businesses and media enterprises. Since graduating in 2011, Thomas has founded his own independent company Huusmann Media. He has just published a new eBook - Lazy Elf - just in time to solve FLIP readers' last minute Christmas gift crises. Phew!

Frans Vischer "Fuddles" Again

Frans Vischer's self=caricature.

Animator Frans Vischer has a side project that he has nurtured for several years, a comic series called Fuddles. He talked to FLIP about it, as well as his second Fuddles book, A Very Fuddles Christmas, which was released today.

FLIP: You were part of the big Disney animation layoff back in April.  How have things gone since then?
Frans: I’m doing pretty well.  I do miss the studio and the people there, but my immediate reaction was to take this as an opportunity.  My second Fuddles book was long finished and awaiting publication, so here was a chance to focus on kids books.  I’ve been splitting time between my book work and free-lance animation and illustration, whatever pays the bills.  I’ve been working steadily for Renegade Animation, Darrell Van Citters’ company, doing digital illustrations for Scholastic, and I have about a dozen picture book ideas in various states that I’m playing with.

Uli Meyer introduces his new book - "Cuthbert was bored"

Cuthbert was bored - written and illustrated by Uli Meyer

Uli Meyer is an animator, director, designer and now children's book author. He has worked on countless animated film projects including Who Framed Roger Rabbit?, An American Tail and Space Jam. His studio Uli Meyer Animation was for many years one of London's leading independent animation studios. Recently Uli has been focusing his efforts on writing and illustrating children's books. His new book, Cuthbert was bored,  has just been published.

Matt Novak - the Disney animator who became a children's book author

Back in 1989 I spent a summer working at the newly built Disney MGM studios theme park in Orlando, Florida, which among other rides featured a tour of the "Magic of Disney Animation". The ride was real, in as much as the studio being toured actually made real films, such as Tummy Trouble, RollerCoaster Rabbit, and later Mulan. We called it the "goldfish bowl", since the visitors would watch us through the glass partition as we worked.

One of the very talented artists I met there was Matt Novak, who worked on many films including "Rescuers Down Under" and "Beauty and the Beast". Since leaving The Mouse he has built a successful career writing and illustrating children's books, winning awards and publishing dozens of titles. FLIP asked him a few questions about what it takes to make it in the competitive world of publishing.