Animation Brat

The following is a re-post of one of my favorite articles from the old format FLiP, from 2007.  Enjoy! - Steve

by Sarah May Bates
advertising art director/copywriter/voice-over/commercial actress, and former “animation brat”.

When asked to write this, I have to admit I had no idea what the term “animation brat” meant. Animation and animators are really all I’ve ever known and are still a central inspiration and influence in my life. I grew up with “cool” parents, but when you’re a kid, you don’t know that kind of thing. It was just normal to me. For context, my mom is Carolyn Bates (former BG artist at Fred Calvert, Xerox checker at H&B, moved up from Duck Soup Ink & Paint to Disney producer), and my dad is Nick Bates (Vis FX supervisor at Pepper Films in Los Angeles)*. Everything cool about me stems from my parents, which in certain social spheres, I don’t necessarily cop to. My first exposure to Miyazaki, John K, Tim Burton, classic Sam Raimi - my parents. I was always inspired to draw, be weird, create.

The End of Blockbuster

As Blockbuster Video closes its last store, I am reminded of its beginnings back in the '80's.  I was working for Duck Soup, a commercial studio in Santa Monica (now called DUCK), and Bob Seeley was directing a commercial for a new chain of video stores called Blockbuster.  Bob explained that this company was opening a new store every day for a year.  

Dreaming of Joe Ranft

It was eight years ago today that Joe Ranft died in a car accident.  He left a huge void in the animation world, not only for his creativity, but also for his humanity.  Shortly after Joe's death, animator Al Holter told me about a dream he had about him.  He shares it today with FLIP.....

Joe Ranft with Al Holter puppet, CalArts, 1981.

I want to tell you about this dream I had.

First, it seems to me, that telling people your dreams is about as appreciated as sharing your new diet or latest medical procedure. Some will seem to be attentive but mostly because of their fingernail digging deep into their palm.

However, I had this particular dream two days after Joe Ranft died and he made a revealing appearance.

Producer Carolyn Bates Talks Shop

Carolyn: "Here's a pic of me and BG painter, Cathy Patrick, 1973. on Emergency+4.
 Don Jurwich had taped a xerox of 'The Yellow Kid' over my desk - typical 70's un-PC.
The extreme right side pencil sharpener and phone are Walt Peregoy's."

FLIP: How did you get your start in animation?

Carolyn: Walt Peregoy hired me as an apprentice BG painter At Fred Calvert Productions on Emergency +4 the day I graduated high school. He regaled the BG team with expletive laced stories of his days at Disney and Hanna-Barbera. He admired creative passion and spoke ardently of the beauty in nature. I learned a ton and made friends with a number of folk, many of whom I'd get to work with later: Corny Cole, Libby Simon, Paul Shively, Freddie Hellmich and Amby Paliwoda.

Opening titles to Fred Calvert's Emergency +4, Carolyn's first gig.  

You can almost hear Walt Peregoy bitching.