This may be a swell idea in certain companies, where constant communication among workers is more productive. But what about in, say, an animation studio, a place where films are made one frame at a time by a crew of artists while another crew of non-artists concurrently keeps track of schedules, budgets, and work flow? How does that big open space work there? FLIP asked some veteran animation folks about their ideal work environment.
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| Leticia Lichtwardt's work space. Some TCM for the thick and thin. |
