Bean Bonkers and Life as a Human Resource

Every business has its bean counters.  In the bean business, they have them in spades.  A team of bean counters determines exactly how many beans to place each can to yield the maximum profit for the company.  If a worker at the cannery should strive to create a better can of beans by adding more beans or being more selective of the beans to be canned, that employee would, after a few formal warnings, be canned themselves.

Beans are not art.  Art is not beans.  But sometime way back, the two were crossbred to create an abominable freak worthy of Dr. Moreau; the animation production.  In this business, there are people who try to create art and people who try to count beans.  Together, they fail miserably in their individual tasks, but produce a bi-product called the animated cartoon; neither art nor beans.

Toaster Tales #2: A Letter to Mom and Chinese New Year

Toaster Crew in Taipei, 1986.  From left: Joe Ranft, Sanvy from Cuckoo's Nest, Steve Moore, Randy Cartwright, Brian McEntee, Jerry Rees, Chuck Richardson.    Photo by Rebecca Rees 

In January of 1986,  eleven Americans travelled to Taiwan to work on The Brave Little Toaster.  There was Jerry and Rebecca Rees, Chuck Richardson, Brian McEntee, Kevin Lima, Tanya Wilson, Chris Wahl, Ann Telnaes, Randy Cartwright, Joe Ranft, and 23 year-old me.  The studio was called Cuckoo's Nest, a cartoon factory which had been churning out miles of Saturday morning cartoons for Hanna-Barbera and Ruby-Spears.  The studio's owner, James Wang, paid to bring out about half of the American crew to shore up his talent pool.  Toaster raised the bar for his studio in every capacity.  Just compare Cuckoo's Nest productions such as The Smurfs to Toaster to get an idea of how far they were pushed.

 I recently found a letter I wrote to my parents from Taiwan, which unearthed some forgotten memories. So if you ever wondered what it was like to make a great American cartoon in the land of Chiang Kai-shek, read on!

Brian & Chuck

Brian McEntee was production designer on Ice Age, and Cats Don't Dance, and art director on Beauty and the Beast and The Brave Little Toaster.  Besides being a super talent, he is also a super guy. Here, he shares his thoughts on sharing 30 years with his domestic partner, Chuck Richardson. 

by Brian McEntee

Chuck and I are celebrating our 30th anniversary today, although we’ve been legally married in the State of California for only 4 years (As Chuck puts it, “It was a very long engagement.”). Emily Post doesn’t list any special type of gift to give for the 30th anniversary, so I came up with my own gift that all of you can give us: support for our federally recognized marriage rights.

Marriage equality is precisely meant for people like the two of us. Opponents like to point to promiscuous gays among us and claim all gays will denigrate the institution of marriage for straights. But marriage is not for promiscuous people, gay or straight. It is for two people who have made a commitment to each other. And promiscuous straight people can already get married, so I don’t see the logic in this argument.

The truth is, Chuck and I are our own little family of two. My parents are both gone, and my siblings all live far away. Chuck’s mom is still alive and he has siblings too, but none live close by either. We are the only immediate family each of us can rely on. With this in mind, imagine having your own significant other suffer a medical emergency and not be able to make medical decisions for him or her, or even have hospital visitation rights. Or, imagine having one or the other of you die and, after 30 years of building a life together, having a relative of your spouse have the legal right to all their possessions and you have none. This is what gay couples face in states that do not recognize gay marriage and why federally legalizing gay marriage is vitally important.  And even though we are legally married in CA, if we have an emergency situation while traveling in another state that does not recognize our marriage, nothing requires them to recognize our married status--thus the need to federalize these rights.

Even if you have misgivings about gay marriage on your own personal moral or religious grounds--and that’s your right--you should support legalizing secular gay marriage. We support your right to live out your beliefs. And those who believe gay marriage is wrong should never, ever get gay married. But, just as we allow you the unencumbered practice of your beliefs, we should be allowed ours, and be allowed the same freedom to live them out too. If what Chuck and I share is sinful in your God’s eyes, isn’t that our business? Shouldn’t that be between your God and us? Doesn’t your God allow free will as a part of the process of your faith?

Marriage equality is not a religious argument anyway. It is a political straw dog. Many Christian denominations and other religious faiths marry gay couples already--they are well ahead of the federal and state governments on this. Each church and religious group is free to make their own choice about who they marry, and that will not change with legal recognition. (For example, the Catholic Church will only marry Catholics to other Catholics.) But secular marriage is where all the legal rights sit--this is the arena necessitating a change to include gay couples.

Those who know Chuck and me personally know how well our relationship works. My life has been enriched and has flourished by his being in it and I cannot imagine life without him. The stability and mutual support of our relationship has also allowed us to be of help to aging and dying parents, siblings in need of a hand, and our friends and neighbors.

Please help make this our best anniversary ever by making your support for gay marriage known through your votes and publicly expressed opinion. Feel free to share my post with your Facebook friends and progress the conversation. Thank you.

Jerry Rees' Home Movies of Ward Kimball

by Jerry Rees

Back in the day, Rebecca and I were delighted to receive an invitation to attend a gathering at Ward Kimball's house.  Kelly Kimball was there of course.  Brian McEntee and Chuck Richardson were there.  Ward and his crew fired up full size steam engines and gave visitors rides back and forth across his property.  What a blast!  And what a shock it must have been for people passing on the neighborhood street, seeing steam engines racing toward the fence, then slowing at the last moment and edging up to the bumpers at the end of the tracks.  Most of the day was spent chatting, eating and riding the trains.  But Ward saw several of us peeking at the building where he kept his vast collection of miniature trains.  He let us in and asked "you want somethin' to run?"

He fired up several trains at once and got everything chugging.  You could tell he was having a blast!  Boy did his eyes twinkle...

Later that day he wanted to see the tapes I'd been recording.  He said he liked the footage better than the stuff a news crew had staged and shot earlier.  He found it more candid and fun.

That VHS tape has been sitting on a shelf for a whole lot of years.  After intending to digitize it for a long, long time, I finally gave it a shot.  Some of it is still in decent shape.  But there are segments lost to tape degeneration.  I could kick myself for not doing it sooner!  But over the next few weeks I plan to go back and salvage as many scenes as possible - both the big trains, and the miniatures - and post it all on my site.

The piece I shared today was just the first test (before the digitizer broke!).  I've ordered a new one and will be back at it in a few days.

Hope it made you smile!