Emmy-winning animation Art Director Jill Daniels has set her brushes on a serious subject - to help fight human trafficking. She is part of an art competition to promote awareness on the subject. Check out the entries, and show your support by voting.
By Jill Daniels
ARTXFREEDOM is an art competition to raise awareness on human trafficking and the deep darkness of slavery and bondage that is in the porn industry sponsored by Exodus Cry. When I read the emotional stories of the victims my heart just burst
with the piece (above) and it felt like my hands just followed along as best
they could. :)
I became aware of the work of Exodus Cry after a dear friend told me about how good their “Nefarious: Merchant of Souls” film on you tube is - I have added the link below.
Nefarious: Merchant of Souls | Human Trafficking Documentary - Full Movie
Watch the film, pray, sign up with the website, donate to the cause! By supporting the light that this organization is shedding and all standing together we can make a difference and truly set people free from lives of bondage that are not their own choice.
Voting ends today! Check it out!
Showing posts with label activism. Show all posts
Showing posts with label activism. Show all posts
Sunday, July 26, 2020
Monday, July 6, 2020
Premier: The (animated) History of White People in America
Industry veteran Ed Bell writes to about his new project, The History of White People in America (not to be confused with the Martin Mull's 1985 program). Ed tells FLiP what this new project is and what it took to make it to screen. It premieres TODAY, and FLiP's got it first.
By Ed Bell
Think of The History of White People in America as the School House Rock for the racial history of America.
When the Pilgrims arrived, there was no notion of white, black, or red as we understand race now. In 1950s Georgia, Chinese immigrants were perceived as white or black depending upon what town they lived in. Today, academics say some Latinos and Asian-Americans are “white.” What does that mean and why does it seem so important to our nation’s story? This series that will tell the story of how whiteness and non-whiteness were invented and continue to evolve, morph and drive the American story.
In 15 animated short films, we will tell American history as it has never been told before. We wanted to at least make the attempt to offer people a platform or an inducement to actually talk about the real problems we face as a country, let alone as an industrialized world. I won't pretend to know who the target audience is anymore. I won't BS about it: everyone should see and contemplate these shorts.
By Ed Bell
Think of The History of White People in America as the School House Rock for the racial history of America.
When the Pilgrims arrived, there was no notion of white, black, or red as we understand race now. In 1950s Georgia, Chinese immigrants were perceived as white or black depending upon what town they lived in. Today, academics say some Latinos and Asian-Americans are “white.” What does that mean and why does it seem so important to our nation’s story? This series that will tell the story of how whiteness and non-whiteness were invented and continue to evolve, morph and drive the American story.
In 15 animated short films, we will tell American history as it has never been told before. We wanted to at least make the attempt to offer people a platform or an inducement to actually talk about the real problems we face as a country, let alone as an industrialized world. I won't pretend to know who the target audience is anymore. I won't BS about it: everyone should see and contemplate these shorts.
Thursday, June 11, 2020
What's Going On
Ed Bell's professional animation career spans 34 years, including stints at Disney, Kroyer Films, Hyperion, and Collosal Pictures. I've known him since we were CalArts kids in the early '80's (and he still returns my calls). In the wake of the George Floyd murder, I asked him a few questions. He has generously shared with FLiP his raw feelings about our times, his experience as a protester, and of life as an African-American artist in the animation industry. Please read and absorb. -Steve
By Ed Bell
The times are hitting me hard, this time around.
In ' 92 I was helping clean the streets post Rodney King, volunteering for Maxine Waters in South LA. I saw the place I grew up in after National Guard had rolled in, and there was so much work to be done. So my sense of deja vu and dread is dark and heart breaking. This won't be a well written essay. There's some rambling, off the subject.
So, How were the protests I attended?
Last week I was at the rally at City Hall where I've been many times with the same purpose. With the Mayor, we took a knee. News cameras and vans were everywhere. Helicopter presence. Police had guys in high windows watching everything. My son said he assumes they were snipers. He is 16. That was a very full block of protesters. People kept a few feet of distance. Wore masks. We heard from the mayor and civil Rights leaders. Jamie Fox spoke. Mothers who have lost their kids to law enforcement spoke. Synchronized voices, calling for justice and for peace in the streets, there was no looting or throwing things. It felt like a familiar ceremony. A little catharsis. A smidgen of solidarity. But I've been a little numb for days at this point. My kid spent hours on his phone watching other cities go bananas, at the same time as we gathered in a well behaved but tense crowd at City Hall.
Wednesday, April 12, 2017
Our Next 4 Years
Immediately after the November election, I was contacted by Carolyn Bates, a long time friend and colleague. She wanted me to create a public service announcement for a grassroots organization called Our Next 4 Years (ON4Y). I wrote, designed, voiced, and animated a piece called "Make Cheese, Not Walls". Enjoy!
I asked Carolyn some questions about Our Next 4 Years.....
I asked Carolyn some questions about Our Next 4 Years.....
1. What is ON4Y and how did it come to be?
Our Next 4 Years is an all volunteer organization of almost 300 animation
professionals. We are partnering
with progressive organizations in order to create animated PSA’s that can counter
the regressive policies of the current administration. Our group’s members include Oscar,
Emmy, Annie and Humanitas award winners and nominees from studios big and
small.
Following
the election, producer / director, Mike Blum of Pipsqueak Films, reached out to
me and broached a grand idea. Mike was motivated to action after reading a
fervent Facebook post by his animation supervisor, Ramiro Olmos. Ramiro wanted to lend his animation
skills to help support progressive causes and create change. Mike has tremendous creative & organizational
skills and a good dose of chutzpah to make that happen.
Thursday, January 8, 2015
Today, We Are All Charlie Hebdo
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| Paul Shardlow, art director and friend of FLiP, expresses our feelings perfectly |
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